Revealing the Source: Keep it on the Low
A Hip Hop On My Mind 2 Part Series
In Part 1, I left off discussing sampling’s history and legal status. Now we move into sampling today.
Like I mentioned before, current producers have expressed concerns that sample sets posted on forums
are hurting the game. Personally, I agree. As a producer myself, I would admit that for the most part I don’t want my samples revealed.
The most recent producer that has spoken out is Madlib. Apparently, ‘Lib found blogger Kevin Nottingham’s sample set from the album Madvilliany and demanded via a myspace message that it be taken down.
The most recent producer that has spoken out is Madlib. Apparently, ‘Lib found blogger Kevin Nottingham’s sample set from the album Madvilliany and demanded via a myspace message that it be taken down.
"Pages like this on the internet are no help at all to people like Doom, Madlib, and those that work with them" said Madlib, originally born Otis Jackson Jr.
Fellow bloggers like Ivan on Hip-Hop is Read defend their counterparts in the matter. He posted, “We're just trying to learn about the art form (of sampling in particular) and spread it forth for everyone who shares our interests in this great music, culture and lifestyle we call Hip-Hop.”
While we have wikipedia, the-breaks.com and other sites dedicated to finding samples, one must consider the legal ramifications that come with disclosing samples. Sure many albums reveal samples in their liner notes. However, producers like Madlib, Dilla, and Doom chop the most obscure records in the smallest of doses for their tracks.
While we have wikipedia, the-breaks.com and other sites dedicated to finding samples, one must consider the legal ramifications that come with disclosing samples. Sure many albums reveal samples in their liner notes. However, producers like Madlib, Dilla, and Doom chop the most obscure records in the smallest of doses for their tracks.
They fly under the radar and since they’re not “mainstream, commercial” artists, they can
avoid sample clearances. However, when you make a detailed list of the songs sampled, somehow the original artists come a callin’ through the grape vine looking for owed royalties.
This argument has been thrown through the ringer as of late, and I do not wish to try and restate what many other bloggers have already said. I would just like to dedicate my support to Madlib and other artists that would like to keep their craft special. I know that if and when I make my mark on the business, I will not want half-ass producer wannabees compiling and posting all the samples I’ve made to make hits.
This argument has been thrown through the ringer as of late, and I do not wish to try and restate what many other bloggers have already said. I would just like to dedicate my support to Madlib and other artists that would like to keep their craft special. I know that if and when I make my mark on the business, I will not want half-ass producer wannabees compiling and posting all the samples I’ve made to make hits.
Honestly, when I am digging, and happen to find a sample I’ve heard before, it’s cool. I might bring it up if someone has the record on and we’re chilling; however to go out of the way and identify the samples really ruins the fun of digging. Get out there and find that Jackson 5 sample that Dilla flipped, or try and get any of the 45’s that Mack the 45 King used in his sample career. But whatever you choose to do, remember that music is a business, and people will always strive to collect their checks.
Though I will admit that I bought the official Blue Note sample set, Sources For Madlib's Shades Of Blue Untinted, for the Sources of Blue album that Madlib made for them, and the chops are crazy!
Keep sampling people, keep real hip-hop alive.
Keep sampling people, keep real hip-hop alive.
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